Nebula Awards Showcase 2015 Read online

  Strolling through the streets of New York with a Singer (two years back I’d spent much time wondering if that was wise for a man of my profession) is probably the best camouflage possible for a man of my profession. Think of the last time you glimpsed your favorite Tri-D star turning the corner of Fifty-seventh. Now be honest. Would you really recognize the little guy in the tweed jacket half a pace behind him?

  Half the people we passed in Times Square recognized him. With his youth, funereal garb, black feet and ash-pale hair, he was easily the most colorful of Singers. Smiles; narrowed eyes; very few actually pointed or stared.

  “Just exactly who is going to be there who might be able to take this stuff off my hands?”

  “Well, Alexis prides himself on being something of an adventurer. They might just take his fancy. And he can give you more than you can get peddling them in the street.”

  “You’ll tell him they’re all hot?”

  “It will probably make the idea that much more intriguing. He’s a creep.”

  “You say so, friend.”

  We went down into the sub-sub. The man at the change booth started to take Hawk’s coin, then looked up. He began three or four words that were unintelligible inside his grin, then just gestured us through.

  “Oh,” Hawk said, “thank you,” with ingenuous surprise, as though this were the first, delightful time such a thing had happened. (Two years ago he had told me sagely, “As soon as I start looking like I expect it, it’ll stop happening.” I was still impressed by the way he wore his notoriety. The time I’d met Edna Silem, and I’d mentioned this, she said with the same ingenuousness, “But that’s what we’re chosen for.”)

  In the bright car we sat on the long seat. Hawk’s hands were beside him; one foot rested on the other. Down from us a gaggle of bright-bloused goo-chewers giggled and pointed and tried not to be noticed at it. Hawk didn’t look at all, and I tried not to be noticed looking.

  Dark patterns rushed the window.

  Things below the gray floor hummed.

  Once a lurch.

  Leaning once, we came out of the ground.

  Outside, the city tried on its thousand sequins, then threw them away behind the trees of Ft. Tryon. Suddenly the windows across from us grew bright scales. Behind them girders reeled by. We got out on the platform under a light rain. The sign said TWELVE TOWERS STATION.

  By the time we reached the street, however, the shower had stopped. Leaves above the wall shed water down the brick. “If I’d known I was bringing someone, I’d have had Alex send a car for us. I told him it was fifty-fifty I’d come.”

  “Are you sure it’s all right for me to tag along then?”

  “Didn’t you come up here with me once before?”

  “I’ve even been up here once before that,” I said. “Do you still think it’s . . .”

  He gave me a withering look. Well; Spinnel would be delighted to have Hawk even if he dragged along a whole gang of real nasty­grimies—Singers are famous for that sort of thing. With one more or less presentable thief, Spinnel was getting off light. Beside us rocks broke away into the city. Behind the gate to our left the gardens rolled up toward the first of the towers. The twelve immense luxury apartment buildings menaced the lower clouds.

  “Hawk the Singer,” Hawk the Singer said into the speaker at the side of the gate. Clang and tic-tic-tic and Clang. We walked up to the path to the doors and doors of glass.

  A cluster of men and women in evening dress were coming out. Three tiers of doors away they saw us. You could see them frowning at the guttersnipe who’d somehow gotten into the lobby (for a moment I thought one of them was Maud because she wore a sheath of the fading fabric, but she turned; beneath her veil her face was dark as roasted coffee); one of the men recognized him, said something to the others. When they passed us, they were smiling. Hawk paid about as much attention to them as he had to the girls on the subway. But when they’d passed, he said, “One of those guys was looking at you.”

  “Yeah. I saw.”

  “Do you know why?”

  “He was trying to figure out whether we’d met before.”

  “Had you?”

  I nodded. “Right about where I met you, only back when I’d just gotten out of jail. I told you I’d been here once before.”

  “Oh.”

  Blue carpet covered three-quarters of the lobby. A great pool filled the rest in which a row of twelve-foot trellises stood, crowned with flaming braziers. The lobby itself was three stories high, domed and mirror-tiled.

  Twisting smoke curled toward the ornate grill. Broken reflections sagged and recovered on the walls.

  The elevator door folded about us its foil petals. There was the distinct feeling of not moving while seventy-five stories shucked down around us.

  We got out on the landscaped roof garden. A very tanned, very blond man wearing an apricot jumpsuit, from the collar of which emerged a black turtleneck dicky, came down the rocks (artificial) between the ferns (real) growing along the stream (real water; phony current).

  “Hello! Hello!” Pause. “I’m terribly glad you decided to come after all.” Pause. “For a while I thought you weren’t going to make it.” The Pauses were to allow Hawk to introduce me. I was dressed so that Spinnel had no way of telling whether I was a miscellaneous Nobel laureate that Hawk happened to have been dining with, or a varlet whose manners and morals were even lower than mine happen to be.

  “Shall I take your jacket?” Alexis offered.

  Which meant he didn’t know Hawk as well as he would like people to think. But I guess he was sensitive enough to realize from the little cold things that happened in the boy’s face that he should forget his offer.

  He nodded to me, smiling—about all he could do—and we strolled toward the gathering.

  Edna Silem was sitting on a transparent inflated hassock. She leaned forward, holding her drink in both hands, arguing politics with the people sitting on the grass before her. She was the first person I recognized (hair of tarnished silver; voice of scrap brass). Jutting from the cuffs of her mannish suit, her wrinkled hands about her goblet, shaking with the intensity of the pronouncements, were heavy with stones and silver. As I ran my eyes back to Hawk, I saw half a dozen whose names/faces sold magazines, music, sent people to the theater (the drama critic for Delta, wouldn’t you know), and even the mathematician from Princeton I’d read about a few months ago who’d come up with the “quasar/quark” explanation. There was one woman my eyes kept returning to. On glance three I recognized her as the New Fascistas’ most promising candidate for president, Senator Abolafia. Her arms were folded, and she was listening intently to the discussion that had narrowed to Edna and an overly gregarious younger man whose eyes were puffy from what could have been the recent acquisition of contact lenses.

  “But don’t you feel, Mrs. Silem, that—”

  “You must remember when you make predictions like that—”

  “Mrs. Silem, I’ve seen statistics that—”

  “You must remember—” her voice tensed, lowered till the silence between the words was as rich as the voice was sparse and metallic—“that if everything, everything were known, statistical estimates would be unnecessary. The science of probability gives mathematical expression to our ignorance, not to our wisdom,” which I was thinking was an interesting second installment to Maud’s lecture, when Edna looked up and exclaimed, “Why, Hawk!”

  Everyone turned.

  “I am glad to see you. Lewis, Ann,” she called: there were two other Singers there already (he dark, she pale, both tree-slender; their faces made you think of pools without drain or tribute come upon in the forest, clear and very still; husband and wife, they had been made Singers together the day before their marriage six years ago), “he hasn’t deserted us after all!” Edna stood, extended her arm over the heads of the people sitting, and barked across her knuckles as though her voice were a pool cue. “Hawk, there are people here arguing with me who don’t know
nearly as much as you about the subject. You’d be on my side, now wouldn’t you—”

  “Mrs. Silem, I didn’t mean to—” from the floor.

  Then her arms swung six degrees, her fingers, eyes, and mouth opened. “You!” Me. “My dear, if there’s anyone I never expected to see here! Why it’s been almost two years, hasn’t it?” Bless Edna; the place where she and Hawk and I had spent a long, beery evening together had more resembled that bar than Tower Top. “Where have you been keeping yourself?”

  “Mars, mostly,” I admitted. “Actually I just came back today.” It’s so much fun to be able to say things like that in a place like this.

  “Hawk—both of you—” (which meant either she had forgotten my name, or she remembered me well enough not to abuse it—) “come over here and help me drink up Alexis’ good liquor.” I tried not to grin as we walked toward her. If she remembered anything, she certainly recalled my line of business and must have been enjoying this as much as I was.

  Relief spread Alexis’ face: he knew now I was someone if not which someone I was.

  As we passed Lewis and Ann, Hawk gave the two Singers one of his luminous grins. They returned shadowed smiles. Lewis nodded. Ann made a move to touch his arm, but left the motion unconcluded; and the company noted the interchange.

  Having found out what we wanted, Alex was preparing large glasses of it over crushed ice when the puffy-eyed gentleman stepped up for a refill. “But, Mrs. Silem, then what do you feel validly opposes such political abuses?”

  Regina Abolafia wore a white silk suit. Nails, lips, and hair were one copper color; and on her breast was a worked copper pin. It’s always fascinated me to watch people used to being the center thrust to the side. She swirled her glass, listening.

  “I oppose them,” Edna said. “Hawk opposes them. Lewis and Ann oppose them. We, ultimately, are what you have.” And her voice had taken on that authoritative resonance only Singers can assume.

  Then Hawk’s laugh snarled through the conversational fabric.

  We turned.

  He’d sat cross-legged near the hedge. “Look . . .” he whispered. Now people’s gazes followed his. He was looking at Lewis and Ann. She, tall and blond, he, dark and taller, were standing very quietly, a little nervously, eyes closed (Lewis’ lips were apart).

  “Oh,” whispered someone who should have known better, “they’re going to . . .”

  I watched Hawk because I’d never had a chance to observe one Singer at another’s performance. He put the soles of his feet together, grasped his toes, and leaned forward, veins making blue rivers on his neck. The top button of his jacket had come loose. Two scar ends showed over his collar bone. Maybe nobody noticed but me. I saw Edna put her glass down with a look of beaming anticipatory pride. Alex, who had pressed the autobar (odd how automation has become the upper crust’s way of flaunting the labor surplus) for more crushed ice, looked up, saw what was about to happen, and pushed the cutoff button. The autobar hummed to silence. A breeze (artificial or real, I couldn’t tell you) came by, and the trees gave us a final shush.

  One at a time, then in duet, then singly again, Lewis and Ann sang.

  Singers are people who look at things, then go and tell people what they’ve seen. What makes them Singers is their ability to make people listen. That is the most magnificent oversimplification I can give. Eighty-six-year-old El Posado in Rio de Janeiro saw a block of tenements collapse, ran to the Avenida del Sol and began improvising, in rhyme and meter (not all that hard in rhyme-rich Portuguese), tears runneling his dusty cheeks, his voice clashing with the palm swards above the sunny street. Hundreds of people stopped to listen; a hundred more; and another hundred. And they told hundreds more what they had heard. Three hours later, hundreds from among them had arrived at the scene with blankets, food, money, shovels, and more incredibly, the willingness and ability to organize themselves and work within that organization. No Tri-D report of a disaster has ever produced that sort of reaction. El Posado is historically considered the first Singer. The second was Miriamne in the roofed city of Lux, who for thirty years walked through the metal streets, singing the glories of the rings of Saturn—the colonists can’t look at them without aid because of the ultraviolet the rings set up. But Miriamne, with her strange cataracts, each dawn walked to the edge of the city, looked, saw, and came back to sing of what she saw. All of which would have meant nothing except that during the days she did not sing—through illness, or once she was on a visit to another city to which her fame had spread—the Lux Stock Exchange would go down, the number of violent crimes rise. Nobody could explain it. All they could do was proclaim her Singer. Why did the institution of Singers come about, springing up in just about every urban center throughout the system? Some have speculated that it was a spontaneous reaction to the mass media which blanket our lives. While Tri-D and radio and newstapes disperse information all over the worlds, they also spread a sense of alienation from first­hand experience. (How many people still go to sports events or a political rally with their little receivers plugged into their ears to let them know that what they see is really happening?) The first Singers were proclaimed by the people around them. Then, there was a period where anyone could proclaim himself a Singer who wanted to, and people either responded to him or laughed him into oblivion. But by the time I was left on the doorstep of somebody who didn’t want me, most cities had more or less established an unofficial quota. When a position is left open today, the remaining Singers choose who is going to fill it. The required talents are poetic, theatrical, as well as a certain charisma that is generated in the tensions between the personality and the publicity web a Singer is immediately snared in. Before he became a Singer, Hawk had gained something of a prodigious reputation with a book of poems published when he was fifteen. He was touring universities and giving readings, but the reputation was still small enough so that he was amazed that I had ever heard of him, that evening we encountered in Central Park. (I had just spent a pleasant thirty days as a guest of the city, and it’s amazing what you find in the Tombs Library.) It was a few weeks after his sixteenth birthday. His Singership was to be announced in four days, though he had been informed already. We sat by the lake till dawn while he weighed and pondered and agonized over the coming responsibility. Two years later, he’s still the youngest Singer in six worlds by half a dozen years. Before becoming a Singer, a person need not have been a poet, but most are either that or actors. But the roster through the system includes a longshoreman, two university professors, an heiress to the Silitax millions (Tack it down with Silitax), and at least two persons of such dubious background that the ever-hungry-for-sensation Publicity Machine itself has agreed not to let any of it past the copy editors. But wherever their origins, these diverse and flamboyant living myths sang of love, of death, of the changing of seasons, social classes, governments, and the palace guard. They sang before large crowds, small crowds, to an individual laborer coming home from the city’s docks, on slum street corners, in club cars of commuter trains, in the elegant gardens atop Twelve Towers, to Alex Spinnel’s select soiree. But it has been illegal to reproduce the “Songs” of the Singers by mechanical means (including publishing the lyrics) since the institution arose, and I respect the law, I do, as only a man in my profession can. I offer the explanation then in place of Lewis’ and Ann’s song.

  They finished, opened their eyes, stared about with expressions that could have been embarrassment, could have been contempt.

  Hawk was leaning forward with a look of rapt approval. Edna was smiling politely. I had the sort of grin on my face that breaks out when you’ve been vastly moved and vastly pleased. Lewis and Ann had sung superbly.

  Alex began to breathe again, glancing around to see what state everybody else was in, saw, and pressed the autobar, which began to hum and crush ice. No clapping, but the appreciative sounds began; people were nodding, commenting, whispering. Regina Abolafia went over to Lewis to say something. I tried to listen until
Alex shoved a glass into my elbow.

  “Oh, I’m sorry . . .”

  I transferred my briefcase to the other hand and took the drink, smiling. When Senator Abolafia left the two Singers, they were holding hands and looking at one another a little sheepishly. They sat down again.

  The party drifted in conversational groups through the gardens, through the groves. Overhead clouds the color of old chamois folded and unfolded across the moon.

  For a while I stood alone in a circle of trees, listening to the music: a de Lassus two-part canon programmed for audio-generators. Recalled: an article in one of last week’s large-circulation literaries, stating that it was the only way to remove the feel of the bar lines imposed by five centuries of meter on modern musicians. For another two weeks this would be acceptable entertainment. The trees circled a rock pool; but no water. Below the plastic surface, abstract lights wove and threaded in a shifting lumia.

  “Excuse me . . . ?”

  I turned to see Alexis, who had no drink now or idea what to do with his hands. He was nervous.

  “. . . but our young friend has told me you have something I might be interested in.”

  I started to lift my briefcase, but Alexis’ hand came down from his ear (it had gone by belt to hair to collar already) to halt me. Nouveau riche.

  “That’s all right. I don’t need to see them yet. In fact, I’d rather not. I have something to propose to you. I would certainly be interested in what you have if they are, indeed, as Hawk has described them. But I have a guest here who would be even more curious.”

  That sounded odd.

  “I know that sounds odd,” Alexis assessed, “but I thought you might be interested simply because of the finances involved. I am an eccentric collector who would offer you a price concomitant with what I would use them for: eccentric conversation pieces—and because of the nature of the purchase I would have to limit severely the people with whom I could converse.”